Repertoire
2019–2020
| Renaissance, Baroque, and Classical | |
| Quis dabit capiti meo aquam | Heinrich Isaac (c. 1450–1517) |
| Circumdederunt me | Cristóbal de Morales (1500–1533) |
| An Wasserflüssen Babylon | Michael Praetorius (c. 1571–1621) |
| Glorious Apollo | Samuel Webbe (1740–1816) |
| Romantic | |
| 4 Gesänge, D. 983 II. Liebe | Franz Schubert (1797–1828) |
| Widerspruch | Franz Schubert |
| O Wüsst' Ich Doch Den Weg Zurück | Johannes Brahms (1833–1897) arr. James McCullough |
| 5 ausgewählte Volkslider für TTBB, WoO VI/6 I. Herzweh | Max Reger (1873–1916) |
| Three Choruses for Male Voices and Piano, B76, Op. 43 | Antonín Dvořák |
| 20th Century | |
| Frostiana II. The Pasture | Randall Thompson (1899–1984) |
| 6 Partsongs, Op. 18 VI. Sydämeni laulu | Jean Sibelius (1865–1957) |
| All-Night Vigil, Op. 37 VII. Stihi pred Shestopsalmiyem | Sergei Rachmaninoff (1873–1943) |
| Sanctus | Komitas (1869–1935) |
| 21st Century | |
| Barechu | Mark A. Boyle |
| Those Nights | Nathan Robinson ’20 |
| world première, Title TBD (2020) | Molly Joyce |
| American Jezebel (2020) | James Kallembach (b. 1978) |
| Folk and Traditional | |
| Believe Me, If All Those Endearing Young Charms | Traditional Irish arr. Roy Ringwald |
| Danny Boy | Traditional Irish arr. Jameson Marvin |
| The Minstrel Boy | Traditional Irish arr. Jameson Marvin |
| Greensleeves | Traditional English arr. Jameson Marvin |
| I Love My Love | Traditional Cornish arr. Jameson Marvin |
| Barb’ra Allen | Traditional Scottish arr. Jameson Marvin |
| Abide With Me | Traditional arr. Moses Hogan |
| Harvardiana | |
| Football Songs | arr. Noam Elkies |
| Fair Harvard | Traditional Irish Air |