Repertoire
2019–2020
Renaissance, Baroque, and Classical | |
Quis dabit capiti meo aquam | Heinrich Isaac (c. 1450–1517) |
Circumdederunt me | Cristóbal de Morales (1500–1533) |
An Wasserflüssen Babylon | Michael Praetorius (c. 1571–1621) |
Glorious Apollo | Samuel Webbe (1740–1816) |
Romantic | |
4 Gesänge, D. 983 II. Liebe | Franz Schubert (1797–1828) |
Widerspruch | Franz Schubert |
O Wüsst' Ich Doch Den Weg Zurück | Johannes Brahms (1833–1897) arr. James McCullough |
5 ausgewählte Volkslider für TTBB, WoO VI/6 I. Herzweh | Max Reger (1873–1916) |
Three Choruses for Male Voices and Piano, B76, Op. 43 | Antonín Dvořák |
20th Century | |
Frostiana II. The Pasture | Randall Thompson (1899–1984) |
6 Partsongs, Op. 18 VI. Sydämeni laulu | Jean Sibelius (1865–1957) |
All-Night Vigil, Op. 37 VII. Stihi pred Shestopsalmiyem | Sergei Rachmaninoff (1873–1943) |
Sanctus | Komitas (1869–1935) |
21st Century | |
Barechu | Mark A. Boyle |
Those Nights | Nathan Robinson ’20 |
world première, Title TBD (2020) | Molly Joyce |
American Jezebel (2020) | James Kallembach (b. 1978) |
Folk and Traditional | |
Believe Me, If All Those Endearing Young Charms | Traditional Irish arr. Roy Ringwald |
Danny Boy | Traditional Irish arr. Jameson Marvin |
The Minstrel Boy | Traditional Irish arr. Jameson Marvin |
Greensleeves | Traditional English arr. Jameson Marvin |
I Love My Love | Traditional Cornish arr. Jameson Marvin |
Barb’ra Allen | Traditional Scottish arr. Jameson Marvin |
Abide With Me | Traditional arr. Moses Hogan |
Harvardiana | |
Football Songs | arr. Noam Elkies |
Fair Harvard | Traditional Irish Air |